Welcome to the Brooklyn Aikikai web log. Our purpose is to provide to our community and beyond an online account of weekly articles, thoughts, and community happenings. The web log is moderated by Ryugan and Kate Savoca. We welcome any submissions in regards to Aikido, Zen, Misogi and Iaido or weapons study. We would also be interested in receiving any thoughts on cultural activities or practices that support a healthy, organic lifestyle with particular emphasis on their relation to the above mentioned arts. Please send only serious submissions – we reserve the right to edit articles for content or length, however, we will work with authors to preserve the integrity of their thoughts. Thanks for visiting and please check back regularly!

-R. Savoca

Thursday, June 30, 2011

On Commitment - Sandan Essay by Terri Rzeznik

When co-workers discover that I train in Aikido the first thing they ask is “are you a black belt?” Or another common response is, “wow that’s amazing, can you beat up a bunch of guys if they attacked you all at once?” As many times as I have heard these questions, I always have the same thoughts, “What do they think I am, part of some covert special ops unit?” Or that I was just cast in the sequel to “Crouching Tiger, Hidden Dragon?” Even though it would be fantastic to fly over rooftops, unfortunately I did not learn this as part of my training. This made me think about the misconceptions that people, including myself, have of what it means to be a committed martial artist.

I believe people often have a skewed view of what this kind of commitment actually means. They may imagine that I live in a small room, sleeping on a hard wood floor, eating nothing but hot gruel for my meals. And of course let us not forget the intense training under the strict tutelage of some omnipotent sensei as well. Even though this may sound like some uchideshi programs, some people think this is what it means to be a committed martial artist in any dojo, anywhere.

Throughout the years of my training I have seen many people pass through the door of Brooklyn Aikikai. Till this day I can never figure out who will stay or who will leave. There have been people who have trained intensely at the dojo for many years and then one day quit, never to be heard from again. And then there are people who only come once or twice a week, but have been there since the beginning of the dojo. So who is to say which one is committed? So now I find myself more confused than ever; how should I define being a committed martial artist? Would I even consider myself one?

The more I think about this question, the clearer the similarities between my study of theatre arts and aikido become. When I first started training in aikido I was a professional actor. I felt passionately about theatre and still do. Even though I have been studying theatre arts for over 20 years, there still remains a fire, a hunger to learn more, to refine my craft and explore other related areas as well. Every art form, whether it is dance, music, painting, or of course, martial arts, is learned by doing. If one wants to become proficient in their art form they must practice for endless hours. One must possess a desire to keep going even when feeling frustrated, defeated, even when people tell you that you have no natural ability. I have experienced this intensely, especially with aikido.

My relationship with aikido has not been an easy one. It has been an arduous journey from the beginning. It took me many months to learn to roll and sometimes I still stumble with basic footwork. There are times when I do not want to go to the dojo, I feel tired or I am in bad mood. I constantly struggle with my own resistance. Sometimes I leave the dojo feeling as if I do not know anything about aikido. But of course there is a balance, within the struggle there also exists a deep joy, times when I feel exhilarated, present and alive. Regardless of what I am feeling there still remains the passion, the desire to explore deeper into this practice. I believe this is what it means to be a committed artist of any kind. To be able to ride the ups and downs of your practice and to sometimes take a step back in order to move two steps forward.

Wednesday, June 29, 2011

2011 Kids' Summer Camp, Session I

On June 6 - 10th we held our first Kids' Aikido Camp of Summer 2011. Fourteen students (aged 7 - 10) came to the dojo for a full day of Aikido and Japanese cultural activities. Most of the children had never done any martial arts before so we started off with lots of stretching and conditioning exercises as well as learning how to fall safely. Over the course of the week the students learned several Aikido techniques and lots of games (animal dodge ball, shikko freeze tag, etc). Justin Coletti came one afternoon to share his knowledge of shodo with the children and they all got to try their hand at painting kanji and pictures with ink on rice paper. We took field trips to the Japanese Garden at the Brooklyn Botanic Garden and the Brooklyn Museum. A highlight of the week was our trip to the Metropolitan Museum of Art to see the Japanese Arms and Armor exhibit and their impressive collection of samurai swords!

The next week of camp is set for July 18 - 22nd.